CHOPRO: While my guitar gently weeps

From sportiga@uoguelph.ca Fri Sep 17 13:59:48 1993
Received: from herman.cs.uoguelph.ca by snowhite.cis.uoguelph.ca (5.64/1.35)
id AA07008; Fri, 17 Sep 93 13:59:48 -0400
Message-Id: <9309171759.AA07008@snowhite.cis.uoguelph.ca>
Received: by herman.cs.uoguelph.ca
(1.37.109.4/16.2) id AA03388; Fri, 17 Sep 93 13:59:40 -0400
Date: Fri, 17 Sep 93 13:59:40 -0400
From: Steve L Portigal
To: sportiga@herman.cs.uoguelph.ca
Subject: (fwd) CHOPRO:While my guitar gently weeps
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
Organization: Akbar and Jeff's Thesis Hut
Reply-To: stevep@snowhite.cis.uoguelph.ca
Status: O

Path: nermal.cs.uoguelph.ca!torn!spool.mu.edu!umn.edu!math.fu-berlin.de!zib-berlin.de!news.dfn.de!scsing.switch.ch!univ-lyon1.fr!vishnu.jussieu.fr!olivier
From: olivier@cao-vlsi.ibp.fr (Olivier FLORENT)
Newsgroups: alt.guitar.tab,rec.music.makers.guitar.tablature
Subject: CHOPRO:While my guitar gently weeps
Date: 17 Sep 1993 17:29:47 GMT
Organization: Laboratoire MASI, Paris VI, France.
Lines: 66
Message-ID: <27cs6b$76v@vishnu.jussieu.fr>
References: <45557@ucbvax.BERKELEY.EDU>
NNTP-Posting-Host: cao-vlsi.ibp.fr
Mime-Version: 1.0
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 8bit
Xref: nermal.cs.uoguelph.ca alt.guitar.tab:12628 rec.music.makers.guitar.tablature:7307

In article <2742md$otg@Emerald.Oz.nthu.edu.tw> ylichen@Munchkin.Oz.nthu.edu.tw (MATH U810202) writes:
Can someone post "Why my guitar gently weep" performed by Beatles.
Thanks.
Roy


{title:While My Guitar Gently Weeps}
{subtitle: The Beatles (Harrison)}

{define: Am7/G 1 0 1 0 2 0 3}
{define: Am6/F# 1 0 1 2 2 0 2}
{define: E7/4 1 0 0 2 0 2 0}

## I prefer to do these chords that way :
{define: E7 1 0 0 1 0 2 0}
{define: C#m 4 1 2 3 3 1 -}
{define: A 5 1 1 2 3 3 1}

{c:Intro }

Am | Am7/G | Am6/F# | F
Am | G | D | E7

I [Am]look at you [Am7/G]all see the [Am6/F#]love there that's [F]sleeping
[Am]While my gui[G]tar gently [D]weeps [E7]
I [Am]look at the [Am7/G]floor and I [Am6/F#]see it needs [F]sweeping
[Am]Still my gui[G]tar gently [C]weeps [E7]

[A]I don't know [C#m]why [F#m] nobody [C#m]told you
[Bm]how to unfold your [E7/4]love [E7]

[A]I don't know [C#m]how [F#m] someone contr[C#m]olled you
[Bm]They bought and sold [E7/4]you [E7]

I look at the world and I notice it's turning
While my guitar gently weeps
With every mistake we must surely be learning
Still my guitar gently weeps

{c:Solo}

Am | Am7/G | Am6/F# | F
Am | G | D | E7
Am | Am7/G | Am6/F# | F
Am | G | C | E7

I don't know how you were diverted
You were perverted too
I don't know how you were inverted
No one alerted you.

I [Am]look at you [Am7/G]all see the [Am6/F#]love there that's [F]sleeping
[Am]While my gui[G]tar gently [D]weeps [E7]


[Am]..Look at you [Am7/G]all [Am6/F#] [F]
[Am]Still my gui[G]tar gently [D]weeps [E7]

{c:Solo to the end...}

Olivier

--------------------------------------------------------------------------------
Olivier Florent Laboratoire MASI CAO-VLSI, Universite Paris VI
florent@masi.ibp.fr France
--------------------------------------------------------------------------------

--
+----------------------------------------------------------------------------+
| Steve Portigal, Dep't of CIS, University of Guelph, Guelph, ON, N1G 2W1 |
| email: stevep@snowhite.cis.uoguelph.ca Phone: (519) 824-4120 ext 3580 |
| ~~~~~~~~ ask me about 'undercover' the Rolling Stones mailing list ~~~~~~~ |
| I wanna ride the big wave...open up the bomb bay.. |
+----------------------------------------------------------------------------+
[ Tab from: http://www.guitaretab.com/h/harrison-george/7844.html ]


- Posted using BlogPress from my iPad

The Long Black Veil

The Long Black Veil
by Lefty Frizzell
written by Wilkin/Dill
Transcribed by Jason and Jennifer Hannan

Capo 2?

Intro: D

[D] Ten years ago on a cold dark night
There was [A] somebody killed beneath the [G] town hall [D] light
There were few at the scene, but they all agree
That the [A]slayer who ran looked a [G]lot like [D]me
The judge said son what is your alibi
If you were [A]somewhere else then [G]you won't have to [D]die
I spoke not a word though it meant my life
For I had [A]been in the arms of my [G]best friend's [D]wife

She [G]walks these [D]hills
In a [G]long black [D]veil
She [G]visits my [D]grave
When the [G]night winds [D]wail
Nobody knows, [G]nobody [D]sees,
[G]nobody [A]knows but [D]me

The [D]scaffold's high and eternity near
She [A]stood in the crowd and [G]shed not a [D]tear
But [D]sometimes at night when the cold wind blows
In a [A]long black veil she [G]cries o'er my [D]bones

She [G]walks these [D]hills
In a [G]long black [D]veil
She [G]visits my [D]grave
When the [G]night winds [D]wail
Nobody knows, [G]nobody [D]sees,
[G]nobody [A]knows but [D]me

[G]Nobody [A]knows but [D]me
[G]Nobody [A]knows but [D]me


- Posted using BlogPress from my iPad

Melissa by the Allman Brothers

Melissa, played in the key of E major, standard tuning, sounds best on the 12 string acoustic, but sounds fantastic on pretty much any acoustic. This song utilizes some great sliding chord shapes that require just three fingers, but sound great because the open strings really resonate and the chord notes follow the melody, too. So, be sure to sing along.

Try playing the E, Bmin7, and C#m/E with your middle, ring, and pinkie fingers, as if you were playing a barre chord and just lifted up your index finger. This makes it much easier to play the F#min7 and Emaj7 with the index, ring and pinkie fingers, instead of stretching the E chord shape across three frets.

Chord         E A D G B E Full Chord Name
E [0 2 2 1 0 0]
F#min7:      [0 4 4 2 0 0] F#min7/11/E
Emaj7:      [0 6 6 4 0 0]
Bmin7:       [0 0 4 4 3 0] Bmin7/11/E
C#m/E:       [0 0 6 6 5 0]
A/E:         [0 7 7 6 0 0]
B            [x 2 4 4 4 x] 
Bsus4        [x 2 4 4 0 0]
C#m          [x 4 6 6 5 4]




E                  F#min7              Emaj7      F#min7
Crossroads, seem to come and go, yeah.
E                                     F#min7                  
The gypsy flies from coast to coast
A             Bmin7          C#m/E  Bmin7
Knowing many, loving none,
E       F#min7            Emaj7    A/E        
Bearing sorrow havin' fun,
  
Cmaj7                                       Bsus4                             
But back home he'll always run to sweet melissa... 
E        F#min7 Emaj7 F#min7
mmm...


E                         F#min7                              
Freight train, each car looks the same, 
Emaj7                  F#min7
          all the same.
E                                 F#min7
And no one knows the gypsy's name
A       Bmin7              C#m/E    Bmin7      
No one hears his lonely sigh,
E              F#min7            Emaj7    F#min7      
There are no blankets where he lies.
Cmaj7                                           Bsus4                 
In all his deepest dreams the gypsy flies 
             E                        F#min7   Emaj7   F#min7
with sweet melissa... mmm...


E F#min7  Emaj7 F#min7   (repeat 2x)


E
Again the morning's come,
D
Again he's on the run,
A
Sunbeams shining through his hair,
B
Appearing not to have a care.
C#m                                A       B       Bsus4
Well, pick up your gear and gypsy roll on, roll on.




E                           F#min7                     Emaj7    F#min7
Crossroads, will you ever let him go? (lord, lord)
E                            F#min7
Will you hide the dead man's ghost,
A          E7Ssus2              C#m/E     Bmin7
Or will he lie, beneath the clay,
E                      F#min7        Emaj7        F#min7
Or will his spirit roll away? 


Cmaj7                                   B               E     F#min7 
But I know that he won't stay without melissa.
Cmaj7                                   B               E     F#min7   Emaj7  F#min7
Yes I know that he won't stay without melissa.


E F#min7 Emaj7 F#min7 (repeat until end)

Rocksmith Single Note Fun

Rocksmith's single note arrangements teach you how to play with control and finesse, so are great ways to improve your speed and technique. Often, and not surprisingly, the parts also teach you essential scale forms. When I play these single note arrangements, I focus on playing efficiently, with little wasted motion, and mute the strings I'm not playing with my right and left hand to play the line as cleanly as possible.

I also like to place my pinkie finger on the corner of my pickup, nice and relaxed, and keep it there as an anchor for my picking. I also use the middle and ring fingers, and the palm of my right hand, for muting.

I really like these two songs, and they're pretty easy to learn, which is why Rocksmith encourages you to play them right away. Master the essential pentatonic scale by playing these riffs:

• THE DEAD WEATHER: I Can't Hear You
• THE BLACK KEYS: Next Girl

These songs teach you how to mute strings while you are riffing, too.

For a song that's not really in any scale know to mankind, try:

• NIRVANA: In Bloom

This song is an excellent example of a "leading tone" line, where grace notes and chromatic runs create a powerful sense of tension as the guitar and bass march in thunderous unison. In fact, the single note part in Rocksmith, minus the solo, of course, is basically the bass line, possibly with one or two minor variants. Single note means learning the solo for "In Bloom." I think this solo is brilliant and well worth the effort, but I'm stuck at 80% mastery right now.

Interestingly enough, In Bloom is also part of RockBand (1), so I've learned to sing it reasonably well, and could probably combine both Rocksmith and RockBand to learn this whole song (minus the drums, sadly).

Songs I'm working on in single note arrangements, but still need to polish

• STONE TEMPLE PILOTS: Vasoline
• LITTLE BARRIE: Surf Hell - I love this tune!
• CREAM: Sunshine Of Your Love
• RED HOT CHILI PEPPERS: Higher Ground (this is no longer listed on the Rocksmith site!)
• THE ROLLING STONES: (I Can’t Get No) Satisfaction

The Riff Repeater is a great way to master sections that are giving you trouble in Single note arrangements. I usually start with the Leveler, and then use the other options if I'm really stuck. 

What are your favorite single note lines in Rocksmith? Which songs are the easiest to learn? Are there parts that are especially difficult to play? Please comment below.

Grave of Bonaparte

Greg PC has done some excellent research on this traditional song, and found some original (primary) documents, starting with:

a set of alternate lyrics (not the Know-Nothing ones) that preserves the theme of the song but which is really different. [Here's] an Italian blog that actually has the musical notation to the song! One thing I've found interesting is the fact that the second and third verses swap places in different versions. Most of the older versions I came across have it 1-3-2 which made me assume that maybe that was part of the arrangement Norman Blake had done, to switch the two. It makes more sense to me the way we sing it but it also made me question if we were getting it right from a tradition point of view. I need worry no longer. This version is in the order we're used to. 

Also, Greg found the lyrics at the Library of Congress, and a chord chart with lyrics. Nice work on the research!

Rockband 3 Drums: Getting Started

I believe it's possible to learn how to play drums by starting on the standard Rockband ("non-pro") drum set. In fact, I have the Guitar Hero drum kit (3 toms and 2 half cymbals), but it works with Rockband 2 and 3 as well. I always have fun when I play Rockband drums, even though I can only finish songs consistently on Easy. I've found that when I play drums, afterwards my guitar playing (real guitar and bass, not the Rockband kind) is much tighter; meaning, much more accurate rhythmically.

It seems that the best way to learn anything in Rockband 3 is to start in Career mode and pick the appropriate challenge; in my case, this means starting with the 11 simplest songs, and trying to reach three stars or more on each song. I just couldn't pull it off on Medium difficulty.

Once I got started, I could immediately see my improvement from song to song. I started off earning three stars, and scoring in the low 90's for accuracy; by the end I earned five stars on one song and four on several others, and put together some nice long streaks, where the drum highway lights up with a neon blue swirly pattern and the streak badge glows with the same neon blue. Also, I was scoring 95% accuracy or better, although I never finished higher than the top 90% of the leader board.

I learned how to hold the sticks loosely, so they bounce off the heads, and how to relax through my arms and shoulders, instead of trying to really hammer away. Of course, it's fun to really bang away, but to put together a decent streak, I found it best to try to relax into the beat, and not force it.

Some other tips:

• when the track starts, bang your sticks together, or tap your foot (not the one on the pedal, the other one) in sync with the click track at the beginning of every song, so you are ready to make your first hit right on the beat.
• Setting up the drums "righty-style" means I can cover the red tom with my left hand, and then drum the other pads with my lead hand (my right).
• Try some rolls, in rhythm, during your drum breaks, when you trigger Overdrive. As with the rest of your drumming, focus on staying relaxed and staying on rhythm, instead of trying to bang out the wildest drum solo you can. If you come out of the drum break on the beat, you keep your streak alive, and the points mount up quickly. Plus, it feels great!

Knocking on Heaven's Door Verse 3

Dylan didn't always sing this optional third verse:

mama wipe the blood from my face
i'm sick and tired of all these wars
there's a lot of people feeling just like me
feels like I'm knocking on heaven's door

The Alarm sings a cool version that includes this third verse.

Thanks, Chris G., for the words & video link!

Boneoke Aug. 17, 2011

Just got back from the Bone. On the bass, I sang "Low" by Cracker; and "Knocking on Heaven's Door." Plus, for the first time ever, I also played bass on: "Pride & Joy" (SRV); "Better Man" (Pearl Jam); "Sweet Caroline"; and Creed's "One." I actually have never ever heard that Creed song before -- the rhythm guitarist showed me the chords once and we started playing.

Just Got Paid & The Rover

Last Tuesday todd, Brien and I played a cool version of "Just Got Paid" where we broke into Zep's "The Rover" and then came back to "Just Got Paid." I found some inspiration for some of the bass fills in Ver. 3 of The Rover bass tab. Todd & Brien were inspired by Dream Theater's "Big Medley" and came up with the idea for this rockin' mashup.

Key to the Highway

By Big Bill Broonzy

Notable versions by Eric Clapton & Duane Allman, Little Walter, Junior Wells

I sang this with Ken at NGW, alternating verses, which we pulled from Blues for Peace.

8-bar blues
||: A | E | D | D |
| A | E | A D | A E :||


I got the key to the highway,
and I'm billed out and bound to go
I'm gonna leave here runnin',
cause walkin' is most too slow

I'm goin' down on the border,
now where I'm better known
Cause woman you don't do nothin',
but drive a good man 'way from home

Now when the moon creeps over the mountain,
I'll be on my way
Now I'm gonna walk this old highway,
until the break of day

Give me one more kiss mama,
just before I go
I'm gonna leave this town,
ain't comin' back no more"

So long baby, now I must say goodbye,
So long baby, now I must say goodbye,
I'm gonna walk this highway, 'till the day I die"

Rolling in the Deep

Julie likes to sing Rolling In the Deep (chords).

Capo 3

Open Tuning: D

I got back from the guitar monastery today and promptly tuned my little Yamaha to the Vestapol open D tuning: D A D F# A D. I reviewed some basic major scale forms, then tried them out strumming. I also worked on some Travis picking. This is a great tuning and I'd like to record some of the ideas I came up with while I was playing.

Rehearsal: Sat. 12/11

With Todd - in addition to the usual, like "Learn to Fly" and "In Bloom," we covered:

• New Shoes
  
• Drive
  
• American Woman
  
• Apeman
  

And this was what worked:

• Hey Joe
  
• Hey Joe tab 
  
• Low
  

House of the Rising Sun

For the next time:

DOA

I Can't Explain - The Who

Guitar

• I Cant Explain Chords by Who @ Ultimate-Guitar.Com



• I Can’t Explain by Who - guitar chords, guitar tabs and lyrics - chordie (nice job. includes solo breaks)
  

Lyrics

• Who | I Can’t Explain lyrics

Wake Me Up When September Ends - Green Day

Wake Me Up When September Ends - from "American Idiot" (Green Day)

• 
  



• Wake Me Up When September Ends by Ulli Bogershausen Guitar Tabs @ GTabs.org
  
  
  



• GREEN DAY LYRICS - Wake Me Up When September Ends
  



• 
  

Learn to Fly - Foo Fighters

Cover of There Is Nothing Left to Lose

I love the Foo Fighters, so this is a fanboy post - hope that's OK.

Any time I want to learn a Foo Fighters song, (which is: always) I go to the band's official tab site, http://www.fftabs.com/ where they've got it all, including guitar and bass tabs for all of their albums. Why don't more bands do this?

Video

The official video for Learn to Fly sure fooled me. I was like, why is there an ad? Isn't that Jack Black? Is that the band in drag? It rewards close study.

When this video came out in 2009, the Foo Fighters were at the peak of their career. The song was originally released in 1999, from their amazing album, There Is Nothing Left To Lose, which I can listen to over and over.

Want to learn how to play the guitar parts? Marty will show you how to play the rhythm chords and how to get the "shimmah" you want. He goes in to some detail on chord formation and some tips on how to play it real nice, including strum patterns. Also shows how to play the second guitar part, using a bend, and a sweet little tag at the end of the riff. He doesn't neglect the bridge part either (around 8:17).

Album Info

Get the album from Amazon (your purchase helps this site and, of course, the Foo Fighters)\



Album Name: There Is Nothing Left To Lose
Label: RCA/Roswell Records
Release Date: 1999-11-02
US Billboard Peak: #10

Recorded at Studio 606 in Virginia, Spring 1999. Dave Grohl on vocals, guitars, drums; Nate Mendel plays bass and Taylor Hawkins plays drums. Produced by Adam Kasper.

You can also download the song only from Amazon: Learn To Fly ($1.29, last I checked, but I think the album is a better deal)

Tabs

Check out the guitar and bass tabs for the whole album, There Is Nothing Left to Lose

• Guitar - 1999 There Is Nothing Left To Lose - fftabs.com (or view the tab for Learn to Fly as a text file)
• Bass - 1999 There Is Nothing Left To Lose - fftabs.com

Other Tabs

• Learn to Fly @ Songsterr.com - an unusual fingering of the E chord, though!
• Learn To Fly Tab by Foo Fighters @ Ultimate-Guitar.Com
• Learn To Fly Chords (ver 4) by Foo Fighters @ Ultimate-Guitar.Com
• Learn To Fly guitar tab by Foo Fighters @ XGuitar.com
• Foo Fighters | Learn To Fly lyrics

Singing and Drums

If you want to learn how to sing the song accurately, or want to learn a simplified version of the drum part, you can use the Rockband (version 1) video game -- it's part of the first version's default song list, and you can export it to version 2 and 3. I use Rockband to practice singing the song while I play the guitar part or bass part on my actual instruments, so I know I can do it live (the plastic instruments, besides the drums, are pretty silly).

Buy the software from Amazon: Rock Band for XBox 360; (other platforms available from that page, too). It's really cheap, but they won't have copies forever.

You can also download the song in Rocksmith, and learn the lead, rhythm and bass parts. 

First posted on 6/29/09; updated September 20, 2013

Ape Man - Kinks

Kinks - Apeman tab

It's Not My Place (In The 9 to 5 World)

It's Not My Place (In The 9 to 5 World) by the Ramones just popped up on the iPod in shuffle mode, right as I was writing down my plans to bust out of the 9 to 5 world. How cool is that?

Upside Down by Jack Johnson

http://www.olga.net/archive/main/j/johnson_jack/upside_down.tab

Artist: Jack Johnson
Title: Upside Down
>From the album: "Sing-A-Longs & Lullabies for the Film Curious George"
Released Feb 7th, 2006
Song written by Jack Johnson
Tabbed by: Lene Duus jubas4(a)hotmail.com
This file is my own work, tabbed from the radio version that's out now.

Standard tuning

Intro: E E F#m F#m x 2
Verse: E E F#m F#m
Chorus: E F#m A B
Bridge: G#m F#m G#m A B

Intro riff: (x2)
e--------------------------------------------
H--------------------------------------------
G---------4-------4-6------------------------
D----4h6-----4h6-------4--(---)-4h6 4h6-4-2--
A--------------------------------------------
E--------------------------------------------


Who's to say what's impossible
Have they forgot
This world keeps spinning
And with each new day
I can feel a change in everything
And as the surface break reflections fade
But in some ways they remain the same
And as my mind begins to spread its wings
There's no stopping curiosity
I wanna turn the whole thing

Chorus:
Upside down
I'll find the things they say just can't be found
I'll share this love I find with everyone
We'll sing and dance to Mother Nature's song
I don't want this feeling to go away....

e--------------------------------------------
H--------------------------------------------
G---------4-------4-6------------------------
D----4h6-----4h6-------4--(---)-4h6 4h6-4-2--
A--------------------------------------------
E--------------------------------------------

e--------------------------------------------
H--------------------------------------------
G---------4-------4-6------------------------
D----4h6-----4h6-------4--(---)-----2-2h4-2--
A--------------------------------4-----------
E--------------------------------------------

Who's to say I can't do everything but I can try
And as I roll along I begin to find
Things aren't always just what they seem
I wanna turn the whole thing

Upside down
I'll find the things they say
Just can't be found
I'll share this love I find with everyone
We'll sing and dance to Mother Nature's song
This world keeps spinning and there's...

Bridge:
...no time to waste
Well it all keeps spinning, spinning
round and round

Upside down
Who's to say what's impossible and can't be found
I don't want this feeling to go away

Upside down
Who's to say what's impossible and can't be found
I don't want this feeling to go away

Upside down
Who's to say what's impossible and can't be found
I don't want this feeling to go away

Please don't go away
Please don't go away
Please don't go away
Is this how it's supposed to be....
Is this how it's supposed to be......